Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Cecilia Beaux
Man with a Cat

ID: 37378

Cecilia Beaux Man with a Cat
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Cecilia Beaux Man with a Cat


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Cecilia Beaux

American figure and portrait painter , 1855-1942 American painter. She began her career painting on porcelain and producing lithographs and portrait drawings. She studied with Catharine Ann Drinker (1871), Francis Adolf van der Wielen (1872-3) and Camille Piton (1879), at the Pennsylvania Academy of the Fine Arts in Philadelphia (1877-8), and privately with William Sartain (1881-3). Under Sartain's guidance, she learnt to paint, producing her first major portrait, the Last Days of Infancy  Related Paintings of Cecilia Beaux :. | Mrs. Robert Abbe (Catherine Amory Bennett) | Bertha Hallowell Vaughan | Sita and Sarita(Girl with a Cat) | Dorothea and Francesca a.k.a. The Dancing Lesson | Bertha Hallowell Vaughan |
Related Artists:
GUARIENTO d Arpo
Italian painter (active 1338-1368 in Padua)
Neroccio
1446-1500 Italian
Michael Ancher
Danish Painter, 1849-1927 He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),






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